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Wednesday, May 11, 2016

Friday, April 8, 2016

2016 Farafina Trust Creative Writing Workshop

farafina_trust_logo-email-size1
Farafina Trust will be holding a creative writing workshop in Lagos, organized by award-winning writer and creative director of Farafina Trust, Chimamanda Adichie, from June 21 to July 1, 2016. The workshop is sponsored by Nigerian Breweries Plc. The Caine Prize-winning Kenyan writer, Binyavanga Wainaina, Aslak Sira Myhre and others will co-teach the workshop alongside Adichie.
The workshop will take the form of a class. Participants will be assigned a wide range of reading exercises, as well as daily writing exercises. The aim of the workshop is to improve the craft of writers and to encourage published and unpublished writers by bringing different perspective to the art of storytelling.
Participation is limited only to those who apply and are accepted.
To apply, send an e-mail to udonandu2016@gmail.com. Your e-mail subject should read ‘Workshop Application’. The body of the e-mail should contain the following:
1.Your Name
2. Your Address
3. A few sentences about yourself
4. A writing sample of between 200 and 800 words. The sample must be either fiction or non-fiction.
All material must be pasted or written in the body of the e-mail. Please DO NOT include any attachments in your e-mail. Applications with attachments will be automatically disqualified.
Deadline for submission is May 20, 2016. Only those accepted to the workshop will be notified by June 10, 2016. Accommodation in Lagos will be provided for all accepted applicants who are able to attend for the ten-day duration of the workshop. A literary evening of readings, open to the public, will be held at the end of the workshop on July 1, 2016.
Good luck!


Thursday, March 24, 2016

Danfo Chronicles – The Best Laid Plans

* For Atoke and Abe (@saintabadini), for unwittingly providing the motivation for this post. Thank you.

I was returning from work one fine evening when I boarded a bus from Yaba that looked innocent enough. As the bus went down Herbert Macaulay I was thinking the usual things I think when I first get on a bus: gauging the driver’s speed and demeanour, trying to sense if this was a normal human being behind the wheel or one of those demon-possessed drivers, and whether it was time to start singing ‘Jesus Take the Wheel’. I examined the bus, or at least as much as I could from my place on the second row: side mirrors, check; rear-view, check; door that looked steady enough to not fall off its hinges any minute, check. All gravy.

Moments after we got on Third Mainland Bridge the bus engine started to sputter. The driver eased over to the outer lane and the bus began to slow down. The driver and conductor started a conversation:

‘Na fuel don finish so?’

‘No be fuel. Engine go soon pick.’

‘You sure say no be fuel?’

‘I say no be fuel!’

The bus went slower and slower.

Nononononoooo…!  

Alas, no amount of nos could keep the bus moving. We were halfway across the bridge when it came to a jerky stop. The driver turned the key in the ignition. The engine wheezed but wouldn’t come to life. He did this five times before he was ready to admit:

‘E be like say na fuel o.’

Well done, Captain Obvious.

I turned to look behind me at the speeding vehicles. The conductor had got off the bus and was waving oncoming traffic onto other lanes. I shuddered and turned to face forward again.

‘No mind these stupid danfo people. Dem dey drive dey make money, yet dem no go buy fuel. Na water una wan take drive?’

‘This is how they have wasted my time. The whole of today, from one danfo to another, all of them, time-wasters!’

The driver shouted something to his conductor in Yoruba. The man sitting to my right chuckled and interpreted: ‘E say na person come thief the fuel wey dey him bus before.’

‘No be only thief. We resemble small pikin wey dem go dey lie give anyhow?’

The driver turned the handle of his door and let go of it. I watched with alarm as the door swung open and into the road.

‘Driver, hold your door! It’s entering the road!’

The driver pulled the door ajar and shimmied out of his seat. He went to the back of the bus and opened the boot, and then the latch covering the engine.

‘Wetin you dey open engine for, this man?’ This from the woman sitting in the passenger seat. ‘Abeg, come give us our money!’

Really, on Third Mainland? And you’ll do what with the money? Fly?

The driver replaced the engine latch and shut the boot, and he and his conductor stood behind the bus trying to flag down another danfo.

‘What are you people doing?’ the man beside me called to them. ‘Who wan stop for you on top Third Mainland?’

I sat biting my lip and glancing nervously behind me, trying not to imagine a speeding vehicle ramming us from behind.

After a few minutes of futile waving the driver walked back to the front of the bus and opened the door, again leaving it to swing into the road.

‘Oh, God, this man! Hold that your door!’

‘E be like say dem dey follow this driver from village.’

The driver held the door against his body with one hand and, with the other gripping the door frame, he began to push. I turned around to see the conductor pushing from behind. I winced as a vehicle coming fast behind us swung into the next lane with seconds to spare.

The driver said something in Yoruba, and again the man to my right interpreted: ‘He said you people should come down and push.’

I pictured me pushing a danfo bus on Third Mainland, or anywhere even, and I couldn’t help myself. I closed my eyes and laughed till I was wiping tears. The Interpreter joined in, but he and two other men got down to push. As they pushed the bus began creeping onto the next lane, and I stopped laughing long enough to scream to the driver to keep his bus on its lane.

The bus was inching forward, pushed by five men, when another danfo, spotting us from a distance, started to slow down behind us. The other bus flashed its headlights and the message was clear.

‘Enter bus, enter bus!’ the conductor screamed.

The other danfo was now right behind us, and the men who had been pushing hurried back onto the bus. The other danfo bumped us from behind and kept moving, taking us ahead of it, with our driver keeping us in lane using the steering wheel. I looked behind but couldn’t make out the face of our rescuer, only white teeth.

The other bus pushed us all the way to Adeniji Bus Stop where it left us and sped on ahead. But instead of putting us on another bus or giving us a refund, the conductor grabbed a five-litre keg and got off the bus before it had even come to a stop. He hopped onto an okada without breaking stride, and we watched as he disappeared down the road into Adeniji.

‘Him don go buy fuel be that’, the man to my left said with a sigh. The woman in the passenger seat got off the bus with a huff and soon boarded another one.

Moments later, a man with the soiled clothes and unkempt hair of a vagrant appeared at the door of the bus. He placed a slip of paper that looked like the receipt for a lotto ticket on the bus’s front bench, right in front of the man seated to my right. And then, muttering something reproving, he wandered off to stand a few metres from the bus. I looked at the unkempt man, and then at the man to my right. He looked back at me, his face mirroring mine.

‘Wait, so he just came and dropped that paper and walked away?’ I asked. The man’s answer was to glance back at the unkempt man, and then shift on the seat, closer to me and away from the slip of paper. I laughed, but this time I laughed alone.

The conductor returned minutes later with his five litres of fuel. He poured it into the tank as the man to my left said, ‘That’s how they will be buying kobo-kobo fuel. Very soon now they will go and stop other people again on Third Mainland.’

When the driver turned the key this time the engine roared to life. We continued on our way, and I expected to be at Obalende in another two minutes.

As we approached Sura Junction, I noticed the driver muttering something, saw the index finger of his right hand swinging between the road to the right, which led off from Sura Junction, and the road continuing straight ahead, which led to Obalende, like he was contemplating which to take. Everyone knows that going by Sura Junction would almost certainly mean getting stuck in traffic in the narrow streets of Obalende, before reaching Obalende Bus Stop.

‘Driver, no take Sura o,’ the man to my left said.

The driver said nothing.

‘This man, abeg follow straight.’

He kept swinging his index finger

Nononononoooo…!  

We reached Sura Junction and the driver turned right. Into Sura.

It took what felt like a full minute. And then, from the man to my left:

‘This driver, God will delay your destiny the way you have delayed us today.’

The driver was calm when he spoke: ‘It is your destiny that will delay. In fact, your destiny have die.’


And so on and so forth. 

Thursday, February 4, 2016

Exploring Historic Epe and Sungbo's Eredo

I joined the Nigerian Field Society last December, and on my first trip with the group we explore historic Epe and the mysterious Sungbo Walls. Here’s my account of the trip.


On December 31, about 20 of us met up at Lekki Conservation Centre in Lagos between 8.00 – 8.30 AM and left for Epe at 8.40 AM. During the 80-minute drive to Epe, Ed Keazor, brilliant historian, lawyer, author and filmmaker and our guide for the trip, provided us with some background on the land development around Lagos Island and extending all the way toward Epe, from colonial times to present day. He talked about the intricate ties that Ancient Benin had (and still has) with Lagos and a large part of Western Nigeria, highlighting some of the influences of Bini culture and history in Lagos and Epe. Ed also answered questions on land sale in Lagos, discussing its somewhat precarious nature and some risks and pitfalls to avoid.

As we arrived Epe, Ed discussed the past economic and religious tensions between the 'Eko Epe' – the settlers who arrived Epe with Oba Kosoko in 1851 when he fled Lagos after being deposed by the British colonial government – and the 'Ijebu Epe', the Epe locals. The Eko Epe were mostly traders while the Ijebu Epe were largely fishermen. We learnt that Epe is about 80% Muslim, and that the town got its name from the large number of soldier ants in the area. Ed pointed out trademark Afro-Brazilian architecture, a lot of which can also be found in parts of Lagos, as we drove through the town.

At 9.57 AM we reached the First Epe Central Mosque, built in 1862 and rebuilt in 1930 to accommodate the expanding Muslim population. We met the Chief Imam of the mosque and, with our feet bare and heads covered (for females), were allowed to see the inside of the mosque. (Only then did I realise, to my surprise, that this was my first time ever inside a mosque.) We took in the ancient rafters in the building as the Chief Imam spoke (in Yoruba, with Ed translating) about the significant role of the central mosque in the community, for information dispersal, for guidance and leadership; and also about the ways in which religion and tradition interface in the community (for example, the traditional leader of Epe is turbaned in the Central Mosque by the Chief Imam).



Chief Imam (centre) and Ed Keazor (right)

Inside the First Epe Central Mosque

We left the mosque at 10.40 AM and drove to the Fish Market. There, we explored the market, buying fish, taking pictures and watching the local fisherwomen work. As it was a Sunday the market wasn’t in full swing, but we got a good enough sense of its scale and its economic significance to the town.

Man on canoe

Fish kept alive in water so it stays fresh for long

More fish



Baskets and berthed boats

We left the Fish Market at 11.50 AM and arrived Eredo at 12.25 PM, where we headed to the home of the Baale (community leader) to make our presence known and pay our respects. Next, we visited the caretaker of the Sungbo walls, Chief Sunny, whose dedication and personal devotion have kept the Walls open and accessible. Chief Sunny has had virtually no support from any quarters in maintaining the walls. Since he fell ill about a year ago the Walls have deteriorated even further, and as we walked our guide had to clear a path for us through the forest with a cutlass.

Walking the Walls

As we walked, Ed told us about the history of the Walls – which were commissioned by Bilikisu Sungbo – some of the myths and speculation surrounding them, as well as some amazing facts: for example, sections of the Walls can be seen from space, and about one million cubic feet of earth was moved to create the Walls. Ed pointed out that there are still many unanswered questions about the Walls: its purpose (it is thought to be protective or spiritual, or both), its extent and its shape (circular or otherwise) are debated till this day.

It was saddening to learn that there is very little study being undertaken to uncover the mysteries behind the Walls. Some of the most notable research on the Sungbo Walls was done by British archaeologist Dr Partick Darling. According to our guide there is some talk about some government involvement with the Walls in the near future, but only to the extent of building (much-needed) staircases to allow for safer ascent and descent to and from the trenches, and to build a gate at the Eredo entrance to control access. So essentially, the government involvement will only be concerned with revenue generation, and not research into or preservation of the Walls. The Eredo Walls are on the tentative list for UNESCO World Heritage Site status.

We emerged from the Eredo at 1.28 PM, and walked about 20 minutes to a nearby spring where we had lunch. We left Eredo at 2.50 PM and arrived the lovely and serene Epe Resort and Spa at 3.10 PM. There, we had drinks and admired the grounds of the resort. We left the resort at 4 PM and arrived back at the Lekki Conservation Centre compound at about 5.20 PM.


The Nigerian Field Society is a national organisation founded in 1930 to:
- encourage interest in and knowledge of the fauna, flora, history, legends and customs, arts and crafts, sciences, sports and pastimes of West Africa in general and Nigeria in particular;
- support their conservation;
- co-operate with organizations with similar interests.

NFS is active in a number of cities in Nigeria. For more information on the organisation, as well as how to join, please visit the NFS website.

Friday, January 1, 2016

Theatre Reviews: Wakaa and Kakadu (Musicals)

Happy New Year, everyone! Here's wishing us all the very best in 2016.

The musicals Wakaa and Kakadu are still showing at Muson Centre, Onikan, and will be on until January 3. I saw both shows and reviewed them on Curtain Call Naija, my new blog dedicated to theatre. Please read, like and follow Curtain Call Naija for theatre news and reviews going forward. 




Monday, December 28, 2015

Christmas on Memory Lane

It’s about 40 kilometres from where I now live, in Lekki, to my old neighbourhood in Isolo/Okota. But not all distance can be measured in miles and kilometres; sometimes distance is measured in memories.

This Christmas, my mother and I drove to Okota to celebrate with this family of our friends. The Christmas party is an old tradition with this family, and as kids we would go in our best clothes, always excited, until the ennui of youth set in. It’s been over eight years since I last attended one of these parties.

In 2007 my family moved away from Isolo, from Papa Adeyemi’s house where we’d lived as tenants since we arrived Lagos about twenty-three years ago. It was not a sad moment when we moved; it wasn’t even bittersweet. We were moving to Ikoyi! Fast forward eight years and we’d moved house twice more, each move taking us further away from our very first neighbourhood. But when you’ve lived so long in a place you carry it with you, no matter how far away you move.

Hello... from Young Me


We get in the car on the 25th and the CD player whirs to life. It’s not quite old school music; more like mid-school: J-Lo singing her love don’t cost a thing; TLC being adamant about wanting no scrubs; Mary J Blige urging us to dance for her, Michael Jackson and Akon asking that their hands be held. These songs are the perfect soundtrack for this journey back in space and, in some ways, in time. My mother says the songs remind her about her first trip abroad, and I remember too: the things she brought back, how foreign they smelt, how very international; my teenage elation at touching something that had touched America. Even my mother had seemed brand new to me then. I remember the red and blue Virgin Atlantic blanket she’d somehow brought back. I cherished that blanket for years, despite relentless teasing from my sisters.

I can’t really follow the route or all the turns my mother takes on the drive, but when we reach Isolo and drive past Olufemi Peters Street I perk up. I look out the window at where St Monica ‘Montessori’ School used to stand and six years of my life pass before my eyes. We go past Apata Memorial, that school that had seemed so posh and dazzling and out of my reach as a child. Its walls are no longer white, now some peachy colour that renders the school less imposing.

We drive down Ago Palace Way, and to my right I see a Kingston Jo with its signature red and white. Kay-Jay Burger, we used to call it; there was one two streets away from our old house. It’s where the cool kids hung out, and my oldest sister was the coolest, at least in the eyes of Young Me. It’s where the boys would take the girls when they wanted to impress. I am surprised and inordinately glad to see Kay-Jay still in business.

We pass by Word Base Assembly, one of the churches we’d attended with my mother as kids when my dad was away working in the east and my mother was on a kind of spiritual odyssey. We visit my aunty who had been seriously sick for a year, twenty one days of which she’d spent in a coma. We marvel at the pictures of her 30-something-year-old self sickly in an 80-year-old’s body and praise God for the miracle that is her life today.

We get to the party. We greet, we hug, we smile, we eat and we play games. I like that even though the host family has moved to the Lekki area, like us, they come back to Okota for their Christmas parties. The tradition is comforting. The family now has a different house than the flat of old where they used to throw the parties years ago. This one is huge, it is beautiful, it is theirs. I think about the things that have changed and the things that have stayed the same. Okota, same with its perpetual coating of dust. Ago Palace Way, wider now than I remember it, and smooth with its fresh pavestones. I wonder about Pillar of Fire Bible Church, another stop on my mother’s spiritual odyssey. It used to be on a nearby street.

The memories go through my head. Church services at Word Base Assembly; visiting the home of my classmate, Fola, on holiday and feeling slightly better about ours; my sister stealing money from our dad because some ‘prophet’ had said something dire would happen if she didn’t get him money to pray and avert it; St Mary’s and my First Holy Communion, hundreds of Hail Marys and fake ‘confessions’ because even then as a child it didn’t make sense to me to tell Father Faceless the truly appalling things I’d done; night vigils at Pillar of Fire Bible Church; St Monica School and Uncle Daniel, Uncle James, Tunde and Onyedikachi, writing stories, getting caned, marching in front of the school gates to ‘The Brave Old Duke of York’ and other imported songs I didn’t understand; the school’s anthem, whose stolen tune I would only this year come to recognise from a hymn in church one fine Sunday morning; Kembos Private School and the many evening fellowships with fiery prayer said by gentle lamp light. Ire Akari Estate Road: the provisions store just by the market, where the mighty Prince Ebeano started; shopping for school supplies in Aswani Market on Tuesdays. Aina Street, me and my sisters calling out Bisi’s name from our window in her grandmother’s voice and laughing at her confusion as she looked around her every time. The Onwatus on Okeho Street.

Nostalgia is a sepia-toned feeling, and in the hazy harmattan air it’s hard to shake off.

We drive toward Third Mainland, home-bound, our mid-school music still playing our way. My mum says with a sigh, ‘Okota is still in my head.’



Thursday, December 24, 2015

Theatre Events for the Holidays

It's a great season for theatre in Lagos, with two major musical productions coming up between December 29 and January 3. I will be watching and reviewing both, but not on Truth and Fiction. I recently started Curtain Call Naija, a blog just for theatre; so please follow it for all that good theatre stuff going forward. Also, please show us some Twitter love; we're @CurtainCallNaija.

So here are the coming musicals.

There's Wakaa, which is from BAP Productions, who brought us the highly acclaimed Saro (I and II). Wakaa tells the story of six young graduates as they struggle to find their feet.




Dates: 30 December 2015 to 3 January 2016
Times: Various (1 PM, 3 PM, 4 PM, 5 PM, 7.30 PM)
Venue: Shell Hall, Muson Centre, Onikan, Lagos


Then there's Kakadu, produced by The Playhouse Initiative, which tells the story of Lagos in the sixties, with vibrant music and costumes.




Dates: 29 & 30 December 2015, 1, 2 & 3 January 2016
Times: 2.30 PM & 6. 30 PM 
Venue: AGIP Recital Hall, Muson Centre, Onikan, Lagos

See why I'm loving the holidays?





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